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Reviewer Maria Figueiredo |
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Robert Askins wrote this play reflecting on his own life experiences in a small town called Cypress, Texas where he grew up in a congregation of Fundamentalist Christians. Churches often used puppets to illustrate to children how to keep the Word of God and be good. Simplistic solutions to complex emotional suffering resulted in much anger especially among the youth of society. This is vividly portrayed through Tyrone, the angry and devilish puppet. Oliver Castillo
(Jason/Tyrone) plays his part brilliantly and is able to display a rare
ability to show a mild-mannered, introverted teenager and a wild, angry
and tortured Tyrone (puppet). Tyrone through his creative ventriloquist,
keeps the audience laughing and gives us goose The props in the play are simple and effective. The scenes move with ease. The “swings” and the entrance of Jessica through a window with her girl-puppet while adding some lightness to the play, remind us that these are young people trying to unravel deep conflicting, sentiments. This play is definitely not for children, nor for those who get upset with profane language and vulgarity. There is plenty of that in words and actions. But underneath it all, is much truth and pure human emotion. The battle we often fight within ourselves, the conflict between the good and the bad in each of us is artfully portrayed. It reminds us of an old Native American Cherokee legend that says “the wolf” who wins depends on the one we feed. © 2017 Maria Figueiredo |
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