reviewvancouver: East Van Panto: West Van Story

The East Van Panto returns with its familiar mix of laughter, local references, and affectionate humour. This year brings a noticeable shift in tone. West Van Story opens up the tradition by drawing on West Side Story and Romeo and Juliet while keeping the story rooted in the Vancouver of today. When Holly, played by Ivy Charles, and her curling team The Hurry Hards are swept into East Van by a dramatic weather event, she finds herself in a world that challenges every certainty she carried in with her.

The contrast between the two sides of the water is explored with both comedy and care. Holly arrives polished and confident, while East Van is offered as a lively, creative, and unpredictable community. One of the most memorable performances of the night comes from Tom Pickett as the East Van Side itself. Dressed as the enormous neighbourhood cross and wandering across the stage with wide eyed wonder, he delivers the line, “I never know where I am going but I always end up somewhere interesting,” and the entire audience lets out a knowing laugh. He captures the generous and slightly chaotic spirit of East Van with warmth and charm.

The writing by Marcus Youssef with Pedro Chamale folds in real questions about changing demographics, housing pressures, and what community means in a city that is always moving. The jokes land easily and reveal how close the two sides of Vancouver truly are. This year the satire feels more grounded in lived reality and less centred on political personalities, which makes the evening feel more sincere.

Boberta Rainy, the developer parent, played by Dawn Petten, brings a confident, witty, and commanding presence to the stage. She draws spirited boos from the audience with ease. The developer children, played by Meaghan Chenosky and Ivy Charles, offer bright and confident performances that carry several scenes. The student and adult cast remain strong, committed, and engaged throughout, though a few of the youngest students appeared uncertain at moments. It did not overshadow the production, but the contrast was noticeable.

Veda Hille’s music gives the show a generous heart and the songs carry the story forward with energy. Amanda Testini’s choreography is full of movement and playfulness, especially in the scenes where Holly begins to soften toward East Van. At one point she declares, “I came for a cleanse but I think East Van is cleansing me,” and the room erupts. It is this combination of humour and honesty that keeps the production engaging for adults and children.

The design team gives us a stage that feels local and lovingly crafted. The hand painted set designs were among the most charming aspects of the night. They created an authentic and homemade atmosphere that reflects the community spirit at the heart of the Panto tradition.

Taken together, West Van Story is a lively and thoughtful addition to the long standing East Van Panto tradition. It is full of joy, music, local humour, and a sense of connection that keeps people returning year after year.

A wonderful choice for families and returning Panto fans. Book early as this show will fill quickly. Children will enjoy the adventure and silliness. Adults will appreciate the writing, music, and social commentary. And if you arrive early, DownLow Chicken is an excellent place to start the evening.